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Sherry, the girlfriend of the former “Don Juan,” successful older businessman Don Johnston, ends their relationship. At around the same time, he receives an anonymous pink letter revealing to him that he has a nineteen-year-old son, but he has no clue as to who the mother might be. Don’s friend and neighbor ,Winston, an aspiring “Sherlock Holmes,” compiles a list of Don’s former girlfriends and presses a plan for a cross-country trip to meet each of them and subsequently learn the identity of the son. A reluctant and emotionless Don, armed with flowers, first visits the widow, Laura, preceded by her teenage daughter, Lolita, who affronts him by appearing naked in an asexual context in a show of emancipation at his expense. Laura herself, however, is the one person in the film who treats him humanely and as a sexual being. Then he meets the successful real estate agent Dora and her husband Ron and they have an uncomfortable dinner together, with Don as a third wheel. He next takes flowers to the office old flame Dr. Carmen, now a writer on the psychology of pets and a communicator with animals, (based on her ‘relationship’ with a deceased canine.) Her much younger secretary gives Don a markedly icy reception supposedly because of his unannounced arrival. He unapologetically imposes on Carmen’s schedule, but despite his best efforts he can not penetrate her armor. And the secretary, as an afterthought, returns the flowers. Lastly, he plies his charms with Penny, yet another example of resentment, living in the woods with a pair of younger motorcycle toughs, one of whom, on the pretense of gentlemanly concern about what he makes out to be insensitivity towards Penny, cold-cocks Don Johnston. Johnston wakes up in his car with the flowers broken. A little desperate now, he makes the brief acquaintanceship of a young, kind-hearted lady florist, Sun Green, who begins to show some inclination towards tenderness, although she finds his name, Don Johnston, impossibly quaint. Back on the street, unshaven and looking increasingly like a bum, Johnston has a brief encounter with a young male hitchhiker for whom he buys a sandwich, but then makes an awkward comment how the hiker, who has been brought up in a Fatherless setting, must think Don is his Father! This goes over about as poorly as every other attempt at expression by Johnston throughout the film. It now becomes clear that while Don’s perception of everyone from his past as blatantly neurotic is pretty accurate, Don Johnston himself, with the romantic supports of his youth withdrawn and standing lost perilously in traffic, is also himself a pretty spurious and expendable character in the eyes of the world, or at least for the moment his odyssey has brought him to that pass. Don ultimately returns home without solving the mystery but realizing that his past is lost irretrievably.

As the story opens, King Henry II, who ruled England from 1154 to 1189 has entered Canterbury Cathedral to do penance at the tomb of his former friend, Thomas Becket. Bare to the waist, the king kneels to receive a flogging from Saxon monks. He begins to reminisce, recalling at first the carefree, promiscuous adventures with Becket, then his favorite drinking and wenching companion. A violently emotional drama that probes the changing relationship between two young men - between two close friends bound together by similar pride of flesh and spirit who become deadly enemies as they pursue their separate destinies . . . that of king . . . and saint.

US multi-millionaire Michael Barndon marries his eight wife, Nicole, the daughter of a broken French Marquis. But she doesn’t want to be only a number in the row of his ex-wives and starts her own strategy to “tame” him.

Fighter navigator Chris Burnett wants out: he was looking for something more than the boring recon missions he’s been flying. He finds himself flying the lone Christmas day mission over war-torn Bosnia. But when he talks pilot Stackhouse into flying slightly off-course to check out an interesting target, the two get shot down. Burnett is soon alone, trying to outrun a pursuing army, while commanding officer Reigert finds his rescue operation hamstrung by politics, forcing Burnett to run far out of his way.

Sara Johnson (Stiles) dreams of becoming a professional ballerina. After the accidental death of her mother, Sara is forced to move from Lemont, a quiet Chicago suburb, to her father’s ghetto apartment on Chicago’s gritty south side. The new urban environment, very different than what she is used to, adds to Sara’s feelings of loss and frustration, and her misplaced guilt, which is caused by the fact that her mother had been en route to her dance performance at the time of her death. But when she meets Derek (Sean Patrick Thomas), a popular fellow student with a passion for hip hop dancing and a future brighter than his troubled past, her repressed ambition is released through a revitalized interest in dance.

When the coach of the France soccer team is killed by a poisoned dart in the stadium in the end of a game, and his expensive and huge ring with the diamond Pink Panther disappears, the ambitious Chief Insp. Dreyfus (Kevin Kline) assigns the worst police inspector Jacques Clouseau (Steve Martin) to the case. His intention is to give a diversion to the press, while he uses his best men to chase the killer and thief. He assigns Gendarme Gilbert Ponton (Jean Reno) to work with Closeau and inform each step of the investigation. When Clouseau is nominated with honor to the highest prize in France, Dreyfus decides to humiliate Clouseau and take him out of the case. However Clouseau has already solved the mystery.

After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

The British Empire flowers; exotic India colors English imaginations. Becky Sharp, the orphaned daughter of a painter and a singer, leaves a home for girls to be a governess, armed with pluck, a keen wit, good looks, fluent French, and an eye for social advancement. Society tries its best to keep her from climbing. An episodic narrative follows her for 20 years, through marriage, Napoleonic wars, a child, loyalty to a school friend, the vicissitudes of the family whose daughters she instructed, and attention from a bored marquess who collected her father’s paintings. Honesty tempers her schemes. No aristocrat she, nor bourgeois, just spirited, intelligent, and irrepressible.

Struggling writer Paul Varjak moves into a New York apartment building and becomes intrigued by his pretty, quirky neighbor Holly Golightly. Holly’s lifestyle confuses and fascinates Paul; in public she flits through parties with a sexy, sophisticated air, but when they’re alone she changes into a sweetly vulnerable bundle of neuroses.

Gloria Goodfellow has a normal life in the countryside along with her family. She’s the mother of two children, one precocious teenager girl and a timid boy, who’s been bullied by a bunch of kids from his school. Occassionally, their peace is disrupted by a neighbor’s annoying dog or a meddler neighbor. Gloria’s husband, Reverend Walter Goodfellow, is a clumsy but well respected priest, who’s preparing to give a speech in a religious convention at Cornwall. One morning a charming, efficient and quite kind lady, Grace Hawkins, arrives to work as a housekeeper at the Goodfellows’ house. The family’s life will change forever, because Grace will care for its integrity in her own special way. First, Grace will help Walter to relax and find his funny side during masses. Then, Grace finds out that Gloria is having an affair with her golf instructor, a sort of pervert American man, interested in Gloria’s daughter as well. Last but not least, Grace will manage herself to get rid of the bullies who are giving a hard time to Petey. Despite this ideal reality, Gloria will discover a secret that Grace has been hiding… for more than 40 years.