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Set in the summer after graduation, Enid and Rebecca are both outsiders in a world slowly being engulfed by fake 50’s diners and Starbucks. Enid must attend an art class to officially graduate high school as Rebecca gets a job. When the two play a mean joke on a much older, geeky record collector, Enid finds a fellow soul and begins to discover the complexities of becoming an adult in the modern world.

Jake Riley is working on the “Torch” case, a psycho serial killer, who kills women with kids and sets them on fire after they are dead. The killer calls Riley sometimes and now, that Riley retires, the killer has no person to play against anymore. The NSA comes into play here and offers a job to Riley. A replicant, or better a clone of the killer should help him find the real one, as kind of test if it works out. Now Riley is back on track, with a clone of the killer at his hand on the way to discover that nobody is born as murderer.

In this computer-animated version of the beloved Christmas story, Clara, played by Barbie (voice by Kelly Sheridan), gets a nutcracker as a gift. During the night, the nutcracker comes to life to save Clara from the Mouse King (voice by Tim Curry), who eventually shrinks the pair. To break the spell, the two must find the Sugarplum Fairy. The London Symphony Orchestra performs Tchaikovsky’s music, with choreography by the New York City Ballet.

After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.

An artist, John Jaspers (Mark frost) sells his soul to the mysterious “M” (Andrew Divoff)in order to get revenge on the people who killed his girlfriend. Soon, he realizes everything has a price, and he is transformed into a horned demon with a passion for killing. He learns that M plans to release the Homunculus, a giant Lizard-like monster onto the earth, opening the gate to hell. Now, Jaspers must stop M before he can let the apocalypse begin…

A couple checks into a suite in Las Vegas. In flashbacks we see that he’s a computer whiz on the verge of becoming a dot.com millionaire, she’s a lap dancer at a club. He’s depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions: four hours per night of erotic play, and no penetration. During the days in Vegas, they get to know each other, have fun, meet a friend of hers; at night, at least after the first night, things seem to get complicated. Is mutual attraction stirring? Will they play by their rules? Can it be about more than money?

Jack Robinson (Matthew Modine) is a wealthy business man with no time for anything but work. However, a family curse is looming over him - no man in the Robinson line ever lives past the age of thirty. With his upcoming birthday appears the remains of literally giant skeleton and a mysterious woman (Mia Sara) who claims to have once known the gaint. Jack decides to go with her to another world where all is revealed to him along with the story of his ancestor, the orginal Jack and the Beanstalk. In order to save his own life and the world of the giants, Jack must right the wrongs of the past and return the magical harp and goose that lays the golden eggs to their rightful home.

The infamous Jack the Ripper case set in London of 1888. The Ripper has been running amok in the Whitechapel district murdering and dissecting prostitutes. Scotland Yard Inspector Fred Abberline, aided by his partner, Peter Godley, are on the case to figure out who this serial killer is and why he is killing these women in such a brutal manner. Abberline is an opium addict and when “chasing the dragon” he is able to have visions of the future, a certain psychic ability that allows him to solve cases. As Abberline and Godley investigate the crimes, they become acquainted with the prostitutes who were friends and colleagues of the victims. Abberline begins to fall in love with Mary Kelly, one of the prostitutes, or as the nobles called them “unfortunates”, being hunted down by Jack the Ripper. Abberline digs deeper and deeper into the conspiracy and attempts to solve the case before Mary Kelly is the next victim.

Talented rookie race-car driver Jimmy Bly has started losing his focus and begins to slip in the race rankings. It’s no wonder, with the immense pressure being shoveled on him by his overly ambitious promoter brother as well as Bly’s romance with his arch rival’s girlfriend Sophia. With much riding on Bly, car owner Carl Henry brings former racing star Joe Tanto on board to help Bly. To drive Bly back to the top of the rankings, Tanto must first deal with the emotional scars left over from a tragic racing accident which nearly took his life.