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Griffin Mill is a studio executive who is responsible for accepting or rejecting the pitches for potential feature films. With his career on the line and the impending possibility that he might be replaced by a rival upstart. Griffin now finds his life threatened by an anonymous screenwriter whose pitch he rejected long ago. Drawn into a web of blackmail and murder, Griffin must evade the police investigation that he caused. But he must also watch his back, because in Hollywood, there’s always another person to take your place.

Hazari Pal lives in a small village in Bihar, India, with his dad, mom, wife, Kamla, daughter, Amrita, and two sons, Shambhu and Manooj. As the Pal are unable to repay the loan they had taken years ago from a moneylender, their land and property are auctioned, and they are rendered homeless. Hazari and his family re-locate to Calcutta with hopes of starting life anew, save some money and go back to Bihar, as well as get Amrita married. Things do not go as planned, as they lose their entire savings to a con-man, Gangooly, who took their money as rent by pretending to be a landlord. Then Hazari gets an opportunity to take up driving a rickshaw manually through a local godfather, Ghatak. He gets to meet a American, Dr. Max Lowe, and together they strike up a friendship along with a local social worker, Joan Bethel. Misunderstandings crop up between Joan and the Godfather, resulting in the shutting down of their shanty medical clinic. When Hazari sides with Joan, his rickshaw is taken away. Things get worse when the Godfather passes away, leaving his estate to his way-ward son, Ashok Ghatak, who has plans to do away with the slums, especially the lepers who have now started frequenting the locality, Max, Joan and above all Hazari himself, and he is determined to take the “joy” of living in Calcutta.

Joseph Donnelly, a young Irishman facing property eviction after his father’s death, decides to take revenge on Daniel Christie, his landlord. Instead of killing Christie, however, he is injured and sentenced to a duel with Christie’s arrogant manager, Stephen Chase. Meanwhile, Shannon, Daniel’s daughter, is growing dissatisfied with the traditional views of her parents’ generation and longs to be modern. She makes her plans to leave for America, and with her help, Joseph is able to escape. Upon arriving in Boston, Mass., they find jobs and begin saving money. Joseph becomes a local barehands boxer, while Shannon works in a chicken processing plant and then as a dancer at the social club. All goes well until Joseph loses a boxing match, after which their money is taken away. Joseph and Shannon are left to starve in the winter cold. Shannon’s parents, still in Ireland, face a devastating loss and decide to come to America to be with her. Chase, who joined them, has begun a campaign to find her, but his efforts are unnecessary Joseph brings Shannon to them after an accident. Joseph then heads west to work on the railroad. After many months, Joseph is confronted by his father in a dream, and is reminded of his desire to own his own land. Joseph decides to join the wagon trains and arrives in Oklahoma Territory just in time for the big land race, upon which his fate will lie.

Orlando, a man of ideal nobility starts his search for love, poetry, a place in society and a meaning in life, in and around the court of historical England in the late 16th century. The blessing of eternal life from Queen Elizabeth I enables him a long and deep philosophical quest, accompanied by the features of “noble” English life with a good taste for irony. Both sides of the coin are shown when Orlando, partly fed up and disgusted with how men think and act, returns from his ambassadorship in the Far East as exactly the same person, let alone his sex. Orlando, a woman of ideal nobility continues her journey to realize the truth about life, love, and approaching one’s own sex in the late 18th century England. For one who lived four hundred years and haven’t aged a day, finding humanity’s forgotten need for androgynity as the key to the happiness of her own as well as her daughter’s. Sally Potter’s adaptation of Virginia Woolf’s Orlando not only tells the story on film with brilliant visual design, but also tries to extend the plot as Woolf would have, had she lived to the end of the twentieth century.

Wayne Campbell is a heavy metal fanatic living in a suburban Chicago neighborhood. On a Friday Night, Wayne and his eccentric best friend, Garth Algar hosts “Wayne’s World”, a public cable network TV show in Wayne’s basement and is very popular. “Wayne’s World” catches the attention of handsome TV network executive Ben Oliver who wants “Wayne’s World” on his television network in downtown Chicago and sponsored by billionaire Noah Vandahoff, one of the largest owners in the arcade business. With “Wayne’s World” now on a Prime Time TV network, Wayne and Garth find themselves moving up big time and Wayne finds himself falling in love with Cassandra Wong, a Chinese-American lead singer of a heavy metal band. But Ben has a hidden agenda and plans on ruining their show and he bids to steal Cassandra from Wayne if Wayne and Garth do not make a success in making “Wayne’s World” #1 in the TV ratings. Wayne and Garth finds the show isn’t the same and Wayne plans to help Cassandra make it big time with her career.

Hell is about to be unleashed again. Reporter Joey Summerskill (’Terri Farrell’(qv)) slowly begins to learn about the mysterious puzzle box, the unbearable pain opening it can bring, and Pinhead (’Doug Bradley’(qv)), the Black Pope of Hell, after viewing a young teenage club-goer get ripped apart by the box’s chains in an ER room. She tracks the box and a young woman named Terri (’Paula Marshall’(qv)) down to a famous club called the Boiler Room, owned by the spoiled playboy J.P. (’Kevin Bernhardt’(qv)), who feeds Pinhead, trapped in a marble pillar, blood from club members so he can escape from his prison. As time runs out, Joey must think of a way to bring Pinhead and his newly-created Cenobites back to the realm of Pinhead’s human self or succumb to an eternity of pain and suffering.

A loving father explains the value of promise and believing to his two boys trough the story of young Mike and his kid brother Bobby, who being abandoned by their dad had to move with ma and German shepherd Shane to a rural town where the local kids, lorded by abusive older scamp Victor Hernandez, consider them intruders ’stealing’ their predecessors’ place. Alas the friendly sheriff Daugherty, whose protection they politely wave, will have to act against a far worse bully, ma’s new lover who expects to be called the king and belts Bobby’s back brutally when drunk in the garage, a secret the boys want to keep secret for finally happy ma. The superstitious brothers spend their time exploring, pulling a wheeled red wagon called Radio Flyer, which name finally inspires a desperate ‘magical escape’ attempt…

Dan Saxon is an undercover cop who infiltrates a biker gang to nail the scum behind a drug-smuggling operation. In order to maintain the trust of the gang’s leader, he must commit ever more dangerous and heinous crimes. Just how far ‘beyond the law’ will Saxon go?

Will Parker, played by Matthew Modine, loses the Americas Cup, the worlds biggest sailing prize, to the Australians and decides to form his own syndicate to win it back.

Without words, cameras show us the world, with an emphasis not on “where,” but on “what’s there.” It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.