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Two bounty hunters are after the same man, Indio. At first, they go their own ways, but eventually get together to try and find him. But are they after him for the same reason ?

In the early days of the 20th century, a British Newspaper offers a prize for the winner of a cross channel air race which brings flyers from all over the world. There are many sub-plots as the flyers jockey for position and the affections of various women.

George Stevens’ epic production. “My God, My God, why hast thou forsaken Me?” It is towards this climactic crossroads that the story of Jesus of Nazareth leads, and to which, at the final moment, it again looks back in triumphant retrospect. It is the anguishing crossroads where the eternal questions of faith and doubt become resolved. Star-studded cast includes Max Von Sydow (as Jesus), Dorothy McGuire (as Mary), Robert Loggia (as Joseph), Charlton Heston (as John the Baptist), Michael Anderson, Jr., Robert Blake, Jamie Farr, David McCallum, Roddy McDowall, Ina Balin, Janet Margolin, Sidney Poitier, Carroll Baker, Pat Boone, Van Heflin, Sal Mineo, Shelley Winters, Ed Wynn, John Wayne, Telly Savalas, Angela Lansbury, Paul Stewart, Harold J. Stone, Martin Landau, Joseph Schildkraut, Victor Buono, Jose Ferrer, Claude Rains, Donald Pleasence, Richard Conte and Cyril Delevanti.

A Russian epic, the movie traces the life of surgeon-poet Yury Zhivago before and during the Russian Revolution. Married to an upper-class girl who is devoted to him, yet in love with an unfortunate woman who becomes his muse, Zhivago is torn between fidelity and passion. Sympathetic with the revolution but shaken by the wars and purges, he struggles to retain his individualism as a humanist amid the spirit of collectivism.

Pope Julius is eager to leave behind works by which he will be remembered. To this end he cajoles Michelangelo into painting the ceiling of the Sistine Chapel. When not on the battlefield uniting Italy, the Pope nags Michelangelo to speed up his painful work on the frescoes.

Elvis Presley is in fine form as singer Rusty Wells, who is hired by Big Frank to watch over his daughter, Val, while on her first girly holiday. Much mayhem ensues when heart throb Romano tries his luck with the hapless girl, and Elvis et all have to intervene.

When two colleagues of James Bond are murdered, James follows the widow of a double agent who has been killed - and a confrontation ensues. The double agent is part of SPECTRE, and the organization’s meeting in a secret lair in Paris regrets the agent’s passing as it deals with new criminal business. Emilio Largo, a ruthless and flamboyant one-eyed enforcer, has hatched a scheme against the North Atlantic Treaty powers that begins at a rehabilitation clinic near an RAF airbase. Scheduled to pilot an RAF Vulcan strategic bomber on a normal “fail-safe” flight is Francois Derval, who is having a passionate affair with the magnificently endowed beauty Fiona Volpe - an affair that SPECTRE exploits. Soon, the Vulcan and its warload of two nuclear bombs has been hijacked, the bombs seized by Largo, for use in SPECTRE’s most audacious extortion scheme yet. James Bond, however, finds a key clue in the sister of Francois Derval, Dominique “Domino” Derval, a beautiful young woman who is a passionate scuba-diver living in Nassau. When James investigates Domino, he comes into contact with a SPECTRE operation on the island, and he gets help from HMSS’ man in Nassau, Pinder, and in old CIA chum Felix Leiter. But when James and Felix find out what SPECTRE is up to, it may be to late to save a major US coastal city from nuclear annihilation.

Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie’s arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate’s own invention. The Blake Edwards style of slapstick and song originated with this movie. A dedication to Laurel and Hardy appears at the beginning of the film. Edwards’ tribute to Stan and Ollie can be seen most clearly in the interaction between Professor Fate and his cohort Max, as well as in the operatic Pottsdorf pie fight.