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Eleventh-century Spain is divided into Christian kingdoms and Moorish strongholds. The young Rodrigo Diaz de Bivar—dubbed El Cid by his followers—vows to see his country at peace, free from the invader. Vigorously brave and resourceful, the noble knight hates bloodshed and faces treason charges at court for the clemency shown to some emirs. His accuser, Gomez, father of his fiancée, Chimene, dies in the resulting duel. Chimene’s avowed vengeance plot fails and Rodrigo is given her hand; the marriage is not consummated and she enters a convent. On Ferdinand’s death, his kingdom is divided among his three children. Sancho challenges the decision and imprisons Alfonso, who is released by the Cid. The African war-lord, Ben Yssef, takes advantage of the quarrel by having Sancho assassinated. Alfonso now claims that throne, too, and exiles the Cid. Chimene realizes the nobility of her husband and joins him, but returns to the convent with their two children, when he goes into battle against Ben Yussef. The years pass, El Cid becomes a revered warrior, but refuses to aid Alfonso, preferring his own strategy. He lays siege to Valencia, catapulting food into its starving garrison; when the Valencians kill their evil ruler, Al Kadir, they offer the crown to the Cid. He sends it to Alfonso, who rushes, hysterically gratified, to his side. But the Cid has been hit by a stray arrow. Attended by Chimene, he hides the wound from his men and prepares a final bid to drive the Moors from Spain.

Top detective Lou Torrey is transferred to Los Angeles and uncovers a plot by a Sicilian mafioso to use Vietnam veterans to murder all his enemies in a rerun of the “Sicilian Vespers” when the previous generation of Sicilian mafiosi were all killed on a single day. Torrey gets various clues that something big is about to happen but will he discover what is planned before the big day ?

Selma is a Czechoslovakian immigrant, a single mother working in a factory in rural America. Her salvation is her passion for music, specifically, the all-singing, all-dancing numbers found in classic Hollywood musicals. Selma harbors a sad secret: she is losing her eyesight and her son Gene stands to suffer the same fate if she can’t put away enough money to secure him an operation. When a desperate neighbor falsely accuses Selma of stealing his savings, the drama of her life escalates to a tragic finale.

Eric Bishop, a middle-aged postman working for the Manchester sorting office, is going through a dreadful crisis. For starters, his second life companion has not resurfaced although she was released from prison a few months ago. He is left alone with two stepsons to look after, which is no bed of roses since the two teens disrespect him and keep disobeying him. To make matters worse, Ryan, the older boy, fascinated by Zac, a dangerous gangster, has accepted to hide his gun in Eric’s house. On the other hand, he is asked by Sam, his student daughter who has a newborn baby,to get back in touch with Lily, his separated wife. Now, Eric left her not long after she gave back to their daughter. As a result Eric panics… Having lost all his bearings, Eric Bishop soliloquizes face to the poster of his idol, another Eric, French footballer Eric Cantona, when the latter appears just like the genie out of Aladdin’s lamp. Through a series of aphorisms peculiar to him, the footballer-philosopher will help remorse-ridden desperate Eric Bishop to get by.

Pietro and Lucia live on an isolated farm with Alice, Lucia’s younger sister. Poor farmers, they live tilling the soil. Pietro is a good worker and a strong man who, unlike his three brothers, is not at war because of a deformed knee. Lucia is a beautiful and reserved woman dedicated to her family. Their life is peaceful and good, in spite of the hard work. One day, while drawing water from the well, Pietro and Alice accidentally free something from Earth’s womb. A strange and alien color flashes underwater, at the well’s bottom, then disappears. From that moment on, inexplicable events start happening all around the farm, and by night the surrounding vegetation glitters with a sinister glow. The color soon takes hold of the whole farm, and dwelling inside Pietro and his family’s minds, it brings them into its sick world of pain, blood and death.

A couple lose their young son when he falls out the window while they have sex in the other room. The mother’s grief consigns her to hospital, but her therapist husband brings her home intent on treating her depression himself. To confront her fears they go to stay at their remote cabin in the woods, “Eden”, where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within.

A gang of vicious young punks break into the house of an elderly couple, terrorize, and then murder them. Suddenly, the clocks in the house begin to run backwards, and the dead come back for revenge!

In the year 2230, 215 years after a nuclear war destroyed the surface of the world, a group of 11 nomatic motorcyclist scavangers arrive in a deserted town searching for food and water, when they are set upon by thousands of flesh-eating, mutant rats. Armed with various assault weapons, flame-throwers, and other sharp objects, the group must co-operate with each other to fight the increasing number of murderous rodents in order to survive the long night.

Priest comes to small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.

Orlando, a man of ideal nobility starts his search for love, poetry, a place in society and a meaning in life, in and around the court of historical England in the late 16th century. The blessing of eternal life from Queen Elizabeth I enables him a long and deep philosophical quest, accompanied by the features of “noble” English life with a good taste for irony. Both sides of the coin are shown when Orlando, partly fed up and disgusted with how men think and act, returns from his ambassadorship in the Far East as exactly the same person, let alone his sex. Orlando, a woman of ideal nobility continues her journey to realize the truth about life, love, and approaching one’s own sex in the late 18th century England. For one who lived four hundred years and haven’t aged a day, finding humanity’s forgotten need for androgynity as the key to the happiness of her own as well as her daughter’s. Sally Potter’s adaptation of Virginia Woolf’s Orlando not only tells the story on film with brilliant visual design, but also tries to extend the plot as Woolf would have, had she lived to the end of the twentieth century.