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Joe lives a life of solitude by choice on a ranch in the mountains of Colorado, asking no one to feel sorry for him. A widower, he has his daily routine of ranch chores interrupted one evening by a call from his just paroled son, Dylan. Dylan is a good kid that has a dark cloud that seems to follow him wherever he goes. He hasn’t spoken to his father in years and has nowhere else to go. Reluctantly, Joe takes Dylan in under the condition that he has changed his ways. The two slowly start to repair their rocky relationship when the ill fortune that follows Dylan strikes again. The ensuing incident sets forth a chain reaction of events that will cause dire consequences for everyone involved.

Powerful, disturbing and moving in equal measure, 2005’s acclaimed “Kidulthood” took us deep into London’s unseen underbelly, delivering a raw, hard-hitting reflection of what life is like for 21st century teenagers, where sex is currency, drugs are easy to come by and violence is a way of life. Six years after Sam Peel is released from jail for killing Trife, he soon realises that life is no easier on the outside than it was on the inside and he’s forced to confront the people he hurt the most. Some have moved on, others are stuck with the repercussions of his actions that night, but one thing’s for certain - everyone has been forced to grow up. Through his journey Sam struggles to deal with his sorrow and guilt and something else he didn’t expect - those seeking revenge. As he’s pursued by a new generation of bad boys, Sam sets about trying to get the message across to his pursuers that they should stop the violence, much like Trife tried to tell him all those years ago. Can Sam stop the cycle of violence and make something positive from the destruction he caused or will his journey into Adulthood end here? A positive tale disguised in the bleakness of its environment, Adulthood pushes home the moral lesson that crime doesn’t pay.

The story of a group of friends in turn of the century New York, from their early days as street hoods to their rise in the world of organized crime. As their crime empire expands, they have to deal with many problems, including their own differing opinions on how to run their business, the local Godfather, and the psychotic Mad Dog Coll.

A typical Midwestern 18 year-old freshman at a large state university eager to delve into the college party life, instead discovers that school is not the beer-driven, sexual fantasy of his imagination. Determined to do anything to obtain the girl of his dreams (a gorgeous but reluctant sorority girl), he decides to adopt a gay identity in order to insinuate himself in her life. This casual charade, however, quickly lands him in a morass of campus activism, gender warfare, fraternity hazes, sorority torture, “coming out” narratives, political martyrdom, and ultimately, a university-wide meltdown.

A harrowing and frightening thriller about a man who has everything he’s ever loved stripped away from him; and to earn his life and family back, he must face obstacles of mystical origins, endure countless tests of his faith, struggle with his own sanity, and explore the depth and the power of his soul.

When a zombie plague infects Camp Special Dude, a dude ranch for the mentally handicapped, a ragtag band of campers and counselors struggles to survive the night. Led by the indifferent, nun-chuck-wielding head counselor, Mac, and his wheelchair-bound sister Dale, the unlikely heroes fight their way off the mountain as, one by one, they’re picked off and join the ranks of the walking dead. It’s a campy stampede of blood, boobs and gore as some “very special” people show that they can kick some serious undead ass.

One year after running away from home, Nicole (Julie Mond) and Jesse (Joey Mendicino) are still missing. When Jesse’s brother, Tom (Richard Tillman), returns home from active duty, he sets out with his friends Marilyn (Jessie Ward) and Jared (Graham Norris) to locate the lost couple. Their search leads them to the stretch of old highway with a mysterious Rest Stop, where they find themselves in the same predicament as Nicole and Jesse: confronting the madman (Brionne Davis) driving the menacing yellow truck. As their search continues, a run-in with the ubiquitous Winnebago Family leads Marilyn and Jared to ghostly encounters with Nicole. Meanwhile, Tom is kidnapped and tortured by the psycho, but upon his escape he uses the arsenal at his disposal to take his revenge. But bullets alone may not be enough to stop this sociopath bent on death and dismemberment.

Val (’Kevin Bacon’ (qv)) and Earl (’Fred Ward (I)’ (qv)) plan to put behind their days as handymen in a small dust bowl town called Perfection. Before they can get to civilization though, they encounter numerous victims of monsters that burrow through the ground. Soon the whole town is camped out on their roofs as Val and Earl lead them to safety.

Bob Munro is the dad of a dysfunctional family. He hires an RV to take the family on vacation. However Bob is NOT the best RV steering wheel operator in the neighborhood and the hilarity is added on by the fact that the brakes are about as useful as a chocolate fireguard. Bob first realizes it when the RV rolls (not literally) backwards into a line of shopping carts. Also Bob’s job is in danger if he doesn’t go to a very important meeting. Before you can say “COME BACK! COME BACK!,” things go gloriously, hilariously, Munro-annoyingly wrong due to the lack of brakes, Bob’s job, toilet waste not cleared out from the last rental and more hilarious stuff.

Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.