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This holiday comedy is centered around two neighbors in a small New England town who go to war when one of them decides to decorate his house with a so many Christmas lights that they are visible from space. The neighborhood is turned upside down as the families try to discover the true meaning of Christmas.

Two co-dependent high school seniors (Hill and Cera) are forced to deal with separation anxiety after their plan to stage a booze-soaked party goes awry.

Aubrey Fleming is a regular high school student with friends and family. One night, she unexpectedly disappears. Two weeks later she is found unconscious in the middle of the woods. When spoken to, her loved ones realize she has forgotten her identity and the personality living in her body is Dakota Moss, a character that Aubrey created in one of her stories for an English assignment. Dakota denies ever being Aubrey knowing that they look identical. Now, Dakota must try to unravel the mystery of how her and Aubrey co-exist and find out who abducted Aubrey that night.

Rachel comes to stay with her Grandmother Georgia for the summer leaving some obvious problems behind at home. Her alcoholic mother doesn’t even stay the night before rushing back out to California to be with her husband. Rachel shakes up the town, a beautiful girl in the boring Mormon country. Then she reveals her deepest secret to one of her new friends, and her mother comes rushing back to find out if its true. In the midst of this crisis the three woman become closer than ever and start to understand each other more.

Brooklyn, 1985. With the mob world as a backdrop, three life-long friends struggle with questions of love, loss and loyalty.

Chev Chelios is a professional assassin working for the West Coast crime syndicate. Chev’s girlfriend Eve doesn’t know what Chev does and Chev is planning to quit the crime syndicate so he can spend more time with her. But for Chev, things about to get very bad, when he learns he has been injected with a poison called “The Beijing Cocktail” by his rival Verona, which will kill him if his heart rate drops. Trying to stay alive and seeking help from friend, Kaylo and Doc Miles, to keep his heart pumping. Chev sets out to find answers as well as protecting Eve, and get his revenge on those who have betrayed him before the poison kills him.

His world in complete disorder after his break-up with a famous actress, Carter, a young soft-core porn writer, goes to suburban Detroit to care for his sickly Grandmother and heal his broken heart. Along the way he forms a special bond with the family that lives across from his Grandma, and changes the life of each woman. In the course of this, as is required in every film—and thus the world, he changes his own life as well.

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband’s restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.

The love which binds mother and daughter — seen through the prism of one mother’s life as it crests with optimism, navigates a turning point, and ebbs to its close. Overcome by the power of memory, Ann Lord reveals a long-held secret to her concerned daughters; Constance, a content wife and mother, and Nina, a restless single woman. Both are bedside when Ann calls out for the man she loved more than any other. But who is this “Harris,” wonder her daughters, and what is he to our mother? While Constance and Nina try to take stock of Ann’s life and their own lives, their mother is tended to by a night nurse as she journeys in her mind back to a summer weekend some fifty years before, when she was Ann Grant, a young woman who has come from New York City to be maid of honor at the high-society Newport wedding of her dearest friend from college, Lila Wittenborn. The bride-to-be is jittery, and turns to her maid of honor rather than her own mother for support. Ann stays close to her friend, yet is even closer to Lila’s irrepressible brother Buddy. Unexpected feelings surge forth once Ann meets wedding guest Harris Arden, a lifelong friend and intimate of the Wittenborn family. Ann’s love for Harris will change her life, and those of her daughters, forever.

Top cover girl and fashion model, Jennifer Tree (ELISHA CUTHBERT) has it all - beauty, fame, money and power. Her face appears on covers of hundreds of magazines. At the top of her game, Jennifer is America’s sweetheart. She is loved and adored and sought after. Everyone wants her. But someone out there has been watching and waiting. Someone wants her in the worst way. Out alone at a charity event in Soho, Jennifer is drugged and taken. Held captive in a cell, Jennifer is subjected to a series of terrifying, life-threatening tortures that could only be conceived by a twisted, sadistic mind. Inspired by the fact that over 850,000 people are reported missing every year in the United States, many of whom are never seen again, CAPTIVITY, follows the story of one woman who is abducted and tortured, held against her will in a place where days turn into weeks. Her will to escape and survive is challenged every moment by a maniac’s desire to demoralize innocent victims and play out his sick game that has been played many times before Jennifer was taken. A combination of SAW and HOSTEL meets SILENCE OF THE LAMBS, CAPTIVITY is a psychological thriller/horror film that shows us the true terror of the crimes of abduction and confinement that are committed every day by serial killers and psychopaths at large. Directed by acclaimed filmmaker Roland Joffe (THE KILLING FIELDS, THE MISSION), CAPTIVITY delves deeply into the minds of both captor and victim with a fresh and terrifying view of this epidemic horror. Being released this summer in theatres nation-wide, CAPTIVITY has been called one of the most controversial films of the year. It’s a disturbing and raw, yet classy and thought provoking film which will leave you terrified, and looking over your shoulder as you leave the theatre wondering if you could be next.